Nonprofits may need to spend about one-third of their budget on overhead to thrive – contradicting a

Two scholars found that when arts nonprofits devote 35% of their budget to overhead, they fare best in terms of attendance.

By Hala Altamimi Published on Sep 19, 2022.
To serve the public, museums need to spend money on outreach. Barry Chin/The Boston Globe via Getty Images

Nonprofits that spend more on information technology, facilities, equipment, staff training, program development and fundraising tend to be more successful than those that scrimp on these"overhead expenses.“ But many donors are reluctant to support groups that spend heavily on those priorities because they associate high overhead costs with wasted money and bad management.

Because this problem is of concern to donors and charities alike, we – two scholars of public administration – set out to identify the point beyond which spending more on overhead stops enhancing an organization’s operations. That is, how much overhead spending is enough, and how much is too much? And since we reasoned that the point that strikes the right balance might be different for, say, a homeless shelter than an art gallery, we focused on one broad category.

We analyzed data derived from 22,328 U.S. arts and cultural nonprofits – largely museums and theaters – from 2008 through 2018. We looked at what share of their budget covered overhead and how many people attended their events and exhibitions. More people going to a museum or seeing a play over those 11 years served as our proxy for success.

As we explained in the academic journal Nonprofit and Voluntary Sector Quarterly, we found that when arts nonprofits devoted 35% of their budget to overhead, they fared best in terms of attendance.

Attendance declined, by contrast, for organizations that spent extremely low and high amounts of their budget on overhead. Groups that spent far too little saw their attendance decline by 9%. Attendance for arts groups that spent way too much on overhead fell by 30%.

‘Starvation cycle’

Our findings cast doubt on a common rule of thumb, embraced by some prominent groups that monitor and evaluate charities, that nonprofits with lower overhead ratios are better than those with higher ratios.

This research also adds to a growing body of evidence that spending too little on overhead deprives nonprofits of the competitive salaries, staff training, equipment and other resources they need for long-term success.

Nonprofit scholars have been warning for nearly two decades about the dangers of pressure from donors to keep overhead spending low.

Conforming to expectations about keeping overhead expenses down can cause what’s known as the ”starvation cycle.“

Initially, funders hold unrealistic expectations about running a nonprofit with low overhead.

In response, nonprofits feel pressured to meet those expectations to attract funding. They may then spend too little on overhead by paying low and noncompetitive salaries, replacing paid staff with volunteers and using outdated facilities and equipment. Alternatively, they may distort the way they report on their expenditures to satisfy their donors’ demands.

Either response can feed donors’ unrealistic assumptions, creating a cycle that slowly but steadily starves nonprofits and weakens their infrastructure.

The Starvation Cycle. Source: Ann Goggins Gregory and Don Howard/Stanford Social Innovation Review.

Problems with any rule of thumb

We also found evidence supporting donors’ fears that spending too much on overhead is unwise.

But while the data analysis suggests that arts nonprofits hit the sweet spot by spending a bit more than one-third of their budget on these costs, we are not trying to recommend a new benchmark for overhead spending in the sector.

That’s because optimal overhead levels vary depending on several factors. For example, programs that charge admission may have to spend more on overhead than free programs to attract an audience.

In short, we are not recommending a new rule of thumb for all nonprofits.

Both performing arts and visual arts organizations need to spend more than many other kinds of organizations on marketing to increase attendance. In addition, many performing arts nonprofits face high travel costs, while museums need to spend more than most other nonprofits on security to protect their collections.

Adjusting donors’ expectations

In our view, these findings further challenge the often unrealistic expectations surrounding overhead spending.

They also contribute to the ongoing efforts of nonprofit leaders, scholars, certain foundations and some charity monitors to adjust donor demands and expectations.

To aid those efforts, we encourage nonprofit leaders and funders to find more meaningful ways to assess whether a nonprofit is worthy of a donor’s dollars than calculating the share of their budget spent on overhead.

The authors do not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and have disclosed no relevant affiliations beyond their academic appointment.

Read These Next